#Photo light pro how to#

#Photo light pro how to#

How Has It Affected My Workflow?Įven though I know how to achieve the same result without using the Retouching Toolkit, it’s much more convenient to click a button and let the panel do the work. You can also duplicate merge your file so that you have a clean final version to send to your client or to add sharpening. Too much banding? Then, there’s a feature to add a bit of noise. For example, the panel can resize your picture for Instagram, Facebook, or web use without you having to do anything but click the proper button. Last but not least, the Export tab is the solution to anyone wondering what to do before saving their files for specific uses. But if you don’t feel like you are going to create advanced luminosity masks any time soon, or perhaps you don’t want to invest in multiple panels, then the Retouching Toolkit will do the job just fine. I personally rely on Lumenzia and thus this second tab is only very rarely used on my computer. However, the luminosity mask features don’t go as far as what other panels dedicated to luminosity masking can do. It works very well and probably offers more than enough options for 90% of the photographers out there. In the second tab, most masking features needed to edit any image can be found. Another fantastic example is the frequency separation which can be used to create multiple separations – more on that in the recent Wallstrom’s video about frequency separation. And you’re right to think so, but it actually locks it against movement, so you avoid the common mistake of moving it around because of the touch feature of your Wacom tablet. You may think it’s going to create a simple blank layer. For example, try the healing layer creation action. The Retouch tab gives access to everything used in a typical retouching workflow: healing layer creation, dodge and burn layers, visual aid layers, frequency separation in its different versions, band stop, bandpass, color and saturation correction, smart liquify, a gradient map maker, and more! What’s even better is that some of these techniques have been slightly tweaked to make your life better and easier. I’ve been using the Retouching Toolkit for a while now, and I’m hard-pressed to find features I’m lacking. You won’t have to wait for more than a second or two even for the most demanding features. The speed at which Photoshop reacts is fantastic and leads me to believe the scripts are exceptionally well designed and optimized. For example, the frequency separation is right next to the band stop and bandpass, while the dodging and burning buttons are close the visual aid layer action.Įach feature relies on actions to either create the needed layers or call a script. Each tab is well designed with features being grouped according to what they do. Some of the most essential and used features are colored, so they are easier to see, in turn making your workflow faster.

It makes it easy to find the features you need for the task at hand. First, you’ll find the Retouch tab, then the Mask tab, and finally the Export one. The interface is divided into three tabs, each dedicated to one specific part of an image editing workflow. The panel reviewed for you in this article, the Retouching Toolkit, is without a doubt one of the most versatile on the market. For example, the Beauty Retouch panel is fantastic for portrait and beauty photographers but lacks options for a landscape or architecture image editing workflow. There are tons of panels available on the market, but many of them are dedicated to specific photography genres.